
EMERGENCY CONTACTS
Copyrighted © 2011 by Jeffrey Alan Breitman
All rights reserved
The events and characters depicted in this script are fictitious. Any similarity to any person living or dead is merely coincidental.
Synopsis
A sex-dramedy
Present day
Having been discovered unconscious by the housekeeping crew of a cheap motel in Culver City, a middle-aged man is rushed by ambulance to a hospital.
Four women, who have never met one another, are called to the hospital ICU because their names and phone numbers are on the “Emergency Contact” card in the man’s wallet.
The women convene around the bed of the still unconscious man and do what the man had intended: they compare notes about him.
Character Breakdown
PARAMEDIC and EMERGENCY ROOM DOCTOR:
- offstage voices over house PA
- professional demeanor throughout dialogue
JOSEPH:
- 55 years old, Jewish
- high school graduate, some college
- non-descript American accent, ostentatiously articulate
- very handsome, 5’-9”, 190 lbs., thick and somewhat muscular, salt ‘n’ pepper with receding hairline and somewhat bald at crown, white at temples, crows feet
- married at 37, divorced at 40, no children
- hedonist, drug and sex addict, moderate OCD, very intelligent, not very smart, does not suffer fools gladly, needy
ERICA:
- 32 years old, Christian
- born in Sevastopol, Russia; came to America at 21
- high school graduate
- distinct Russian accent, speaks excellent English
- gorgeous, thick shoulder-length blond, somewhat “girl-next-door”, 5’4″, 110 lbs., voluptuous, restrained make-up
- former sex-worker, married college professor at 22 for green-card/citizenship, currently single
- strong willed, independent, ambitious, not overly sentimental, does not use drugs or alcohol
HOPE:
- 48 years old, Catholic
- high school graduate, much college, voracious reader
- generic American accent, ostentatiously articulate
- cute, 5’-1”, 105 lbs., voluptuous, blonde hair worn in bob, minimal make-up
- writer
- married at 33, no children
- over-educated, needy, demanding, codependent, very intelligent, practical
JOAN:
- 47 years old, Jewish
- high school graduate, BA
- non-descript American accent, plain-spoken
- attractive, 5’-7”, 130 lbs., full-figured, shoulder-length wavy brunette, minimal make-up
- project manager
- never married
- sweet-natured, somewhat judgmental, moderate drinker
SHIRELLE:
- 36 years old, Buddhist
- born in Seoul, South Korea, came to America at 21, has permanent green-card
- high school graduate
- Asian accent, good English with occasional grammatical errors
- striking beauty, 5’-1”, 95 lbs., slender yet curvy, luxurious long brunette, moderate make-up
- former sex-worker; currently Madame, personal assistant and real estate investor
- never married, engaged
- entrancing, captivating, passionate, strong business sense, serious, very hard-working, somewhat short-tempered/excitable, unsentimental, no alcohol, occasional cocaine
EMERGENCY CONTACTS
Copyrighted © 2011 by Jeffrey Alan Breitman
All rights reserved
The events and characters depicted in this script are fictitious. Any similarity to any person living or dead is merely coincidental.
Scene 1
The stage is black. Off-stage voices/sound effects (siren, road noise from inside EMS vehicle, etc.) are heard over theater PA system.
PARAMEDIC
Unit Four, here. ETA five minutes. White male, fifty-five. Found unconscious by motel maid. Shallow respiration, tachycardia, BP two-ten over one-ten, pupils barely reactive and dilated. Looks like cocaine overdose.
EMERGENCY ROOM DOCTOR
What kind of evidence?
PARAMEDIC
Pile of coke the size of an anthill.
EMERGENCY ROOM DOCTOR
Yeah, that’d be evidence.
PARAMEDIC
And, get this: porn site open on his laptop!
EMERGENCY ROOM DOCTOR
Oh, yeah? What kind of scene?
PARAMEDIC
A nun and a priest.
EMERGENCY ROOM DOCTOR
Gimme that old time religion.
PARAMEDIC
Works for me! Patient has a left forearm like Popeye and there was a huge bottle of AstroGlide on the table.
EMERGENCY ROOM DOCTOR
How huge?
PARAMEDIC
Uh, I think he bought it at CostCo.
EMERGENCY ROOM DOCTOR
Well, one doesn’t want to chafe. Any emergency contact card?
PARAMEDIC
Got it right here.
EMERGENCY ROOM DOCTOR
Great. Names and numbers, please.
Scene 2
Full lights come up on-stage when siren stops and patient monitor begins. A hospital bed is CS – foot facing audience. JOSEPH is in bed covered by sheet up to his chin. There are four chairs: one at each corner of the bed, all cheating toward the audience.
Audio Cue – ‘Erica enters’ is played over house PA.
ERICA enters from DSL, crosses DS of bed and sits in chair USR of bed.
ERICA
Joseph, I don’t know why I’m here. I told you over 10 years ago I don’t exist for you in Los Angeles so I don’t understand. Thanks God I only had to drive up from Irvine and not from Russia.
ERICA looks around the room for a moment then looks back to JOSEPH.
ERICA
It is good you did not accept my proposal, back then. Your heart would be broken every second of eighteen months and I would grow tired and weary of that look on your face. Especially if I was still doing ‘out-calls’.
ERICA leans in and takes closer look at JOSEPH.
ERICA
You look good!
Audio Cue – ‘Hope enters’ is played over house PA. HOPE enters from DSL, stops at DSL corner of bed.
HOPE
Oh! Hello.
ERICA
Hello.
HOPE
I’m Hope.
ERICA
I’m Erica.
HOPE walks toward chair at USL of bed, removes her jacket, hangs it on chair and sits.
HOPE
Oh. You’re the Russian one.
ERICA
The Russian one what?!
HOPE
The Russian girl.
ERICA
The Russian girl what?!
HOPE
The Russian girl that Joseph met as a sex client and fell in love with that made him a financial offer to marry her so she could get a green card. (pause) Not to put too fine a point on it.
ERICA
Well, yes. In that case, I am the Russian one.
HOPE leans over bed and caresses Joseph’s forehead.
HOPE
Oh, my dear. What have you done to yourself?
HOPE cradles Joseph’s head.
HOPE
Joseph, your occipital bone is flat! Did your mother ever pick you up?
JOAN enters at DSL, looks up expectantly, shrugs to absence of music, crosses to chair at DSR of bed and sits.
JOAN
Hello. I’m Joan.
ERICA
Hello, I’m Erica.
HOPE
(cheerfully)
She’s the Russian hooker.
JOAN
The Russian what?
ERICA
Nevermind.
HOPE
I’m Hope.
JOAN
Hope, the married one?
HOPE
The married one what?!
JOAN
The married one that had an affair with Joseph that she knowingly continued even after I started dating him.
ERICA
Not to put too fine a point on it.
HOPE gives ERICA a look.
JOAN
When I suspected you might still be seeing one another, I tried to scare him away from you by telling him you were bisexual.
ERICA
Very nice.
HOPE
And that was supposed to be a deterrent?
JOAN
He didn’t say it was a problem.
HOPE
He always said he had something in common with lesbians.
JOAN
And what is that?
ERICA
He loves to eat…… (her voice trails off)
HOPE
Pussy?
ERICA and HOPE look at one another and giggle.
JOAN
Yes, I know. Do you know who I am?
HOPE
Yes, he told me.
JOAN
Does he tell you everything?
HOPE
Not anymore.
JOAN
Why not?
HOPE
Because, as I warned him, the things we first find most endearing about our lovers, ultimately become those traits that we find most annoying.
JOAN
And what was yours?
HOPE
That I’m insaaannnne.
Audio Cue – ‘Shirelle enters’ plays over house PA. SHIRELLE enters from DSL and stands at chair DSL of bed.
SHIRELLE
Oh my god, Joseph.
JOAN
He’s had a cocaine overdose.
ERICA
Hi, I’m Erica.
SHIRELLE
Oh, you’re the Russian one.
ERICA
Does everyone know?
SHIRELLE
I’m Shirelle.
HOPE
Oh, you’re the Korean one.
SHIRELLE
The Korean one what?!
HOPE
The Korean girl.
SHIRELLE
The Korean girl what?!
HOPE
(deadpan without pause)
The Korean girl with whom and her girls Joseph spent over $100,000 until she told him she was engaged and only the Madame so he continued seeing her girls until he caught her paying a car repair bill with a sex session and broke his heart but he kept seeing her girls anyway.
JOAN and ERICA
Not to put too fine a point on it.
HOPE
I’m Hope.
SHIRELLE
Oh, you’re the married one.
HOPE
Shit!
JOAN and ERICA laugh
JOAN
I’m Joan, the single, available, not-a-hooker one.
ERICA, HOPE and SHIRELLE give JOAN ‘stink-eye’
ERICA
Well, Shirelle, we’ve just been comparing notes about Joseph.
JOAN
Would you care to contribute to his unconscious ego trip?
SHIRELLE sits in chair DSL of bed.
SHIRELLE
Every year on my birthday I would put out a buffet and I would invite a lot of my customers over and I would have three or four girls instead of the usual one or two. One year Joseph came over. He must have gotten his bonus check that day so he had a session. I don’t think he took a break; he had me send in another girl right away. Then he came out; he didn’t eat any food.
HOPE
He was eating from an entirely different buffet.
SHIRELLE
He wasn’t even done: he went back in for another. Yeah, I think it was two without a break, (laughs) a rest, and then he had two in a row, again.
JOAN
It sounds like it was his birthday.
HOPE
Well, so much for Asian women being inscrutable.
JOAN
Based on China’s population, they’re not impregnable either.
ERICA
Poor Joseph was so in love with me but the circumstances made him very tense and nervous; he lost about 45 pounds.
SHIRELLE
Well he must have gained it back, because he did the same thing with me.
ERICA
He’s like a girl; he can’t eat when he’s in love. He can’t eat when he’s emotional.
SHIRELLE
(giggling)
He is a girl.
SHIRELLE, JOAN, HOPE, ERICA laugh and giggle.
SHIRELLE
Yeah but that came in handy. He helped me fold the towels. And we use lots of towels in my business. (sighing) I guess he really loved me. He really made love to me.
ERICA
Making love, that’s how he called it. I don’t know; it was just sex for me.
HOPE
He just had sex with me.
ERICA, SHIRELLE
Aaawwww.
JOAN
He just had sex with me, too.
ERICA, HOPE, SHIRELLE
Yeah, we know!
ERICA
He was very affectionate: he liked to spoon and cuddle after sex.
SHIRELLE
Yes, but it was in a, um, needy kind of way.
JOAN and HOPE
Is there any other way?
HOPE
Did you know he wrote a song for you?
ERICA
Really? He wrote a song for me?
HOPE
Oh, yes. He recorded it in a studio. It’s very good.
ERICA
I’d like to hear it. Did you get a song?
HOPE
I got a song. And sang on it.
SHIRELLE
I got a song. And a video.
SHIRELLE, ERICA and HOPE turn to JOAN
JOAN
What?! I got a $25 watch! (pause, looks at JOSEPH) What an asshole!
SHIRELLE, ERICA, HOPE and JOAN laugh
JOAN
And, no offense ladies, I was the normal one!
HOPE
Relatively speaking.
JOAN
I was available; we, we had so much in common. We liked the same music; we liked to go out to eat and to movies. We sure liked sex, I mean I, I never denied him; in fact, I would initiate it. What did I, what did I do wrong? I didn’t do anything wrong except meet a freak.
ERICA, HOPE, SHIRELLE
Yeah, what a freak!
ERICA, HOPE, SHIRELLE and JOAN laugh
SHIRELLE
I don’t know if it was from all the coke he was using or all the sex he was having—
HOPE
Both with and without someone else in the room?
SHIRELLE
Anyway, sometimes he had the hardest time, the most difficult time finishing and—
ERICA
We would go at it and at it. One time he asked me to pose for him so he could finish himself off. Sometimes it seemed that it just wasn’t going to happen. But he just had to get his cookie so he would just make it happen.
SHIRELLE
Sometimes he would lose his erection in the middle of intercourse.
JOAN
I know! Like a pickled herring.
HOPE
Like a strand of string cheese.
SHIRELLE
Like extra-soft tofu.
ERICA
That didn’t bother him. He mostly wanted closeness with the girl, the woman. He got as much pleasure from going down on me and giving me a ‘short death’. An orgasm.
SHIRELLE
Over and over and over again. I had to clamp my hand over my mouth for the neighbors.
ERICA, JOAN, HOPE
Mmmmmmmmm. You go, girl!
SHIRELLE
Oh, I went. He just loved my body.
ERICA
And mine!
HOPE
And mine!
JOAN
And mine?
SHIRELLE
And he loved caressing me and fondling me and putting his mouth and tongue everywhere.
JOAN
Everywhere?
SHIRELLE
Everywhere.
HOPE
He tossed your salad?
SHIRELLE
Is that what it’s called?
HOPE
Did he garnish it with candied pecans?
JOAN, ERICA, SHIRELLE laugh
HOPE
How about goat cheese?
JOAN, ERICA, SHIRELLE
Ewww!
HOPE
I’ve had some bass-notes of pleasure from that.
JOAN
I hope he didn’t get any musical notes in return from you.
SHIRELLE, ERICA, HOPE
Ewww!
HOPE
No, I’m a girl: I don’t, I don’t do that. (pause) In bed.
So Shirelle, what was it when he couldn’t finish with you? A finger?
SHIRELLE
(chuckling)
No, I run a professional operation: we have battery-powered devices. One time it was me and another girl and he had that thing up, you know, and he’s still going to town on both of us; he had three things going on.
JOAN
Sounds like a three-ring circus.
ERICA
A three-ring sex-circus.
SHIRELLE
We were all laughing that he’s walking around like that. He didn’t care; he was just enjoying himself.
ERICA
Well, that’s all he was trying to do, wasn’t it?
HOPE
No.
SHIRELLE, ERICA, JOAN
No?
HOPE
Well, of course he enjoyed it. But he was really just, just trying to, uh, be comfortable.
JOAN
With that thing?
HOPE
Emotionally comfortable with himself; comfortable in his own skin.
JOAN
Ya know, I always suspected that he was still seeing you while he was dating me.
HOPE
Yes, and?
JOAN
Why!? Why!?
HOPE
In point of fact, I needed someone to have sex with who could make me come. Joseph needed someone who was unavailable: a married woman. So he fell in love with me and that frustration and heartache, that churning in his gut is his comfort zone. Discomfort is his comfort zone. You, on the other hand, were available so there was no excitement. (pause) But he said he liked going to parties with you, going to movies. That you were a perfectly adequate sex partner!
JOAN
Oh, well gee, that makes me feel so good. The highest of compliments.
HOPE
No, no, I don’t mean to insult you. To whatever extent I contributed to the failure, the ending of the relationship, I’m sorry.
JOAN
So he couldn’t stand to be in an equal relationship; he knew that I was available and would have him and that I accepted him and so he had to fucking destroy it and break my heart! Well, it was his choice.
ERICA
All of this was, wasn’t it?
JOAN
But you knew that he was seeing me and still you continued your little Sunday afternoon brunches your little Sunday afternoon sex brunches.
HOPE
He loved to eat my shallots and gruyere omelet.
JOAN
Was that his nickname for your crotch?
ERICA and SHIRELLE (laugh loudly)
JOSEPH awakens and props himself up on his elbows. He looks around the room acknowledging the four women and they him.
JOSEPH
Wow! You all showed up. Thank you.
ERICA
You’re welcome, Joseph. Now, why am I here?
JOSEPH
I was in love with you and I still value and cherish that.
ERICA
But I was a call-girl.
JOSEPH
You were a very young Russian girl with whom, yes, I enjoyed having sex with and fell in love with and I wanted to protect you and save you.
ERICA
Save me from what?
JOSEPH
From your, your manager and all the other men. All the other men that would treat you roughly and not make love to you the way I did.
ERICA
But I didn’t see you as any different from them.
JOSEPH
Deep down I knew that and yet, I can lie to myself to serve my needs.
ERICA
And what are your needs?
JOSEPH
To love deeply and to be deeply loved.
ERICA
Oh.
HOPE
Why am I here?
JOSEPH
Because you’re Hope: a really smart, cute girl.
HOPE
I’m just over-educated.
JOSEPH
I didn’t know the difference and if I had known, I wouldn’t have cared; I fell in love with you.
HOPE
I was married.
JOSEPH
I didn’t care about that either. I was infatuated, smitten, addled; you choose.
HOPE
I choose all of them, thanks.
JOAN
Why am I here? (pause) Well?
JOSEPH
Because I blew it. I guess because you were the single, available appropriate one that would have me.
JOAN
And yet you destroyed it and hurt me.
JOSEPH
I’m, I’m so very sorry. There was not enough chaos and too much a chance of a real relationship, a commitment. And I feared that.
JOAN
Why?
JOSEPH
Because it requires day-by-day work and I didn’t know that. Just as in my marriage I only knew I didn’t see myself in it 5 years hence.
JOAN purses her lips and shakes her head. JOSEPH stares reflectively at the ceiling then his eyes light up and he smiles broadly.
JOSEPH
So, Shirelle, do you have any new girls?
SHIRELLE, ERICA, HOPE and JOAN react with wide-eyed horror. They speak the following lines in unison.
SHIRELLE
Oh my god!
ERICA
Oh Joseph!
HOPE
Oh fuck!
JOAN
Oh shit!
The stage goes black.